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Jason Moran</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/kalimahforbes.jpg</image:loc><image:title>KalimahForbes</image:title><image:caption>Director and adaptor Kalimah Forbes</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/coates-son.jpg</image:loc><image:title>Coates-son</image:title><image:caption>A younger Coates with his son.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/bwm4.jpg</image:loc><image:title>BWM4</image:title><image:caption>Between the World and Me in print</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/apollo-marquee2.jpg</image:loc><image:title>Apollo-Marquee2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/apollo-marquee.jpg</image:loc><image:title>Apollo-Marquee</image:title><image:caption>The production will be presented at Harlem's historic Apollo Theater</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/apollo_theater.jpg</image:loc><image:title>Apollo_Theater</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/coates2.jpg</image:loc><image:title>Coates2</image:title><image:caption>Author Ta-Nehisi Coates</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/coates.jpeg</image:loc><image:title>Coates</image:title><image:caption>Author Coates</image:caption></image:image><lastmod>2017-05-03T14:30:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/05/01/national-black-theatre-announces-the-cast-for-the-world-premiere-of-kill-move-paradise/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/natblacktheatrebldg11.jpg</image:loc><image:title>NatBlackTheatreBldg1</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/donnell-e-smith.jpg</image:loc><image:title>Donnell E. Smith</image:title><image:caption>Donnell E. Smith</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/sidiki-fofana-credit-pepper-negron.jpg</image:loc><image:title>Sidiki Fofana credit Pepper Negron</image:title><image:caption>Sidiki Fofana</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/ryan-jamaal-swain-credit-j-demetrie-photography.jpeg</image:loc><image:title>Ryan Jamaal Swain credit J Demetrie Photography</image:title><image:caption>Ryan Jamaal Swain</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/clinton-lowe-credit-christine-jean-chambers.jpeg</image:loc><image:title>Clinton Lowe credit Christine Jean Chambers</image:title><image:caption>Clinton Lowe</image:caption></image:image><lastmod>2017-04-28T19:15:08+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/04/27/united-states-artists-ceo-deana-haggag-wages-war-against-proposed-nea-funding-cuts/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/deana-haggag-1024x729.png</image:loc><image:title>deana haggag-1024x729</image:title></image:image><lastmod>2017-04-27T05:31:32+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/04/18/lynn-nottage-wins-2nd-pulitzer-prize-for-drama-with-her-play-sweat/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/lynn-nottage-sweat.jpg</image:loc><image:title>lynn-nottage-sweat</image:title></image:image><lastmod>2017-04-21T03:54:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/04/19/%ef%bb%bfthe-schomburg-center-unveils-several-unseen-pieces-from-the-james-baldwin-archives/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/t-james-baldwin-giovannis-room.jpg</image:loc><image:title>t-James-Baldwin-Giovannis-Room</image:title></image:image><lastmod>2017-04-21T03:53:49+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/04/18/racial-justice-group-launches-racial-equity-in-the-arts-innovation-lab-in-new-york-city/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/raceforward_logo.jpg</image:loc><image:title>RaceForward_Logo</image:title></image:image><lastmod>2017-04-18T01:39:07+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/04/17/houstons-ensemble-theatre-continues-40th-season-activities-with-world-premiere/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/front-porch-society-2.jpg</image:loc><image:title>Front Porch Society 2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/tet_40th-ann_largelogo.jpg</image:loc><image:title>TET_40th Ann_largelogo</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/front-porch-society.jpg</image:loc><image:title>Front Porch Society</image:title></image:image><lastmod>2017-04-17T19:12:37+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/04/14/some-thoughts-inspired-by-the-bright-young-tings-photographic-exhibition-at-londons-national-theatre/</loc><lastmod>2017-04-14T18:09:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/04/11/glees-amber-riley-wins-2017-olivier-award-for-best-actress-in-a-musical/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/amber_riley_in_dreamgirls_at_the_savoy_theatre-_credit_brinkhoff-mogenburg-h_2016.jpg</image:loc><image:title>Sonja Friedman Productions&#13;DREAMGIRLS&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;_R015826</image:title><image:caption>Sonja Friedman Productions&#13;DREAMGIRLS&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;_R015826</image:caption></image:image><lastmod>2017-04-11T14:39:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/04/03/smart-people/</loc><lastmod>2017-04-05T03:05:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/submissions/</loc><lastmod>2017-04-04T05:50:13+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://blacktheatrematters.org/2017/04/04/liberation-theatre-co-announces-residency-program-for-emerging-playwrights/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/liberationlogo_300dpi.jpg</image:loc><image:title>liberationLogo_300dpi</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/04/94fd29ec-0199-4e0b-8577-d9545651c42d.jpg</image:loc><image:title>94fd29ec-0199-4e0b-8577-d9545651c42d</image:title></image:image><lastmod>2017-04-03T21:12:19+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/20/antagonism-persists-between-new-freedom-theatres-leaders-and-alumni-coalition/</loc><lastmod>2017-04-02T13:21:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/03/30/crossroads-theatre-co-to-take-act-on-the-road-for-two-years/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/nbpac-5.jpg</image:loc><image:title>NBPAC-5</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/nbpac-4.jpg</image:loc><image:title>NBPAC-4</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/nbpac-3.jpg</image:loc><image:title>NBPAC-3</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/nbpac-2.jpg</image:loc><image:title>NBPAC-2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/nbpac.jpg</image:loc><image:title>NBPAC</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/tarmardavis.jpg</image:loc><image:title>tarmardavis</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/crossroadstheatreco.jpg</image:loc><image:title>crossroadstheatreco</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/crossroads-theatre-lg.jpg</image:loc><image:title>crossroads-theatre-lg</image:title></image:image><lastmod>2017-03-30T19:39:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/about/services/</loc><lastmod>2017-03-27T23:09:15+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://blacktheatrematters.org/2017/03/27/black-theatre-workshop-joins-tableau-dhote-theatre-to-mount-angelique/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/btw-tdt.png</image:loc><image:title>BTW-TDT</image:title><image:caption>The co-production logos.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/btw-quincy-armorer-left-is-artistic-director-of-black-theatre.jpg</image:loc><image:title>BTW-quincy-armorer-left-is-artistic-director-of-black-theatre</image:title><image:caption>BTW Artistic Director Quincy Armorer and ANGÉLIQUE Director Mike Payette</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/btw-maxresdefault.jpg</image:loc><image:title>BTW-maxresdefault</image:title><image:caption>Jenny Brizard as Marie Joseph Angélique</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/btw-lorena_gale_gatecon.jpg</image:loc><image:title>BTW-Lorena_Gale_gatecon</image:title><image:caption>Playwright Lorena Gale</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/btw-angecc81lique_slider_2.jpg</image:loc><image:title>BTW-Angélique_Slider_2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/btw-angecc81lique.jpg</image:loc><image:title>BTW-Angélique</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/btw-andrecc81e-lanthier.jpg</image:loc><image:title>BTW-andrée-lanthier</image:title><image:caption>Jenny Brizard as Marie and Tristan D. Lalla at César</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/btw-administrators.jpg</image:loc><image:title>BTW-Administrators</image:title><image:caption>Armour, Payette and Mathieu Murphy-Perron, co-founder of Tableau D’Hôte Theatre</image:caption></image:image><lastmod>2017-03-25T00:37:52+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/03/24/bright-young-tings-exhibits-at-londons-national-theatre/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/byt-1.jpg</image:loc><image:title>BYT-1</image:title></image:image><lastmod>2017-03-24T12:04:36+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/03/23/soul-singer-donny-hathaways-battle-with-mental-illness-is-explored-in-twisted-melodies/</loc><lastmod>2017-03-23T14:27:51+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/03/20/a-new-edition-of-stewart-lanes-black-broadway/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/whoopi.jpg</image:loc><image:title>whoopi</image:title><image:caption>Whoopie Goldberg from her solo show, WHOOPI GOLDBERG</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/thewiz.jpg</image:loc><image:title>TheWiz</image:title><image:caption>Hinton Battle, Ted Ross, Tiger Haynes &amp; Stephanie Mills in THE WIZ</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/sophis.jpg</image:loc><image:title>sophis</image:title><image:caption>Gregory Hines &amp; Judith Jamison in SOPHISTICATED LADIES</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/sammy-davis-jr-in-golden-boy.jpg</image:loc><image:title>Sammy-Davis-Jr.-in-GOLDEN-BOY</image:title><image:caption>Sammy Davis, Jr. in GOLDEN BOY</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/raisin.jpg</image:loc><image:title>raisin</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/porgy.jpg</image:loc><image:title>porgy</image:title><image:caption>PORGY AND BESS</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/paul-robeson-in-othello.jpg</image:loc><image:title>Paul-Robeson-in-OTHELLO</image:title><image:caption>Paul Robeson in OTHELLO</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/ossie-davis-helen-martin-godfrey-cambridge-ruby-dee-beah-richards-and-sorrell-booke-in-purlie-victorious.jpg</image:loc><image:title>Ossie-Davis-Helen-Martin-Godfrey-Cambridge-Ruby-Dee-Beah-Richards-and-Sorrell-Booke-in-PURLIE-VICTORIOUS</image:title><image:caption>Ossie Davis, Helen Martin, Godfrey Cambrdge, Ruby Dee, Beah Richards &amp; Sorrell Booke in PURLIE VICTORIOUS</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/lillian-hayman-and-leslie-uggams-in-hallelujah-baby.jpg</image:loc><image:title>Lillian-Hayman-and-Leslie-Uggams-in-HALLELUJAH-BABY</image:title><image:caption>Lillian Hayman &amp; Leslie Ugghams in HALLELUJAH, BABY!</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/leslie-uggams-in-hallelujah-baby.jpg</image:loc><image:title>Leslie-Uggams-in-HALLELUJAH-BABY</image:title><image:caption>Leslie Ugghams in HALLELUJAH, BABY!</image:caption></image:image><lastmod>2017-03-20T14:41:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/03/20/philanthropist-says-philanthropy-needs-more-black-anger/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/freddiegrayprotesters.jpg</image:loc><image:title>Protesters March Over Death Of Freddie Gray</image:title><image:caption>BALTIMORE, MD - APRIL 22:  Hundreds of demonstrators march toward the  Baltimore Police Western District station during a protest against police brutality and the death of Freddie Gray in the Sandtown neighborhood April 22, 2015 in Baltimore, Maryland. Gray, 25, was arrested for possessing a switch blade knife April 12 outside the Gilmor Homes housing project on Baltimore's west side. According to his attorney, Gray died a week later in the hospital from a severe spinal cord injury he received while in police custody.  (Photo by Chip Somodevilla/Getty Images) ORG XMIT: 550300407</image:caption></image:image><lastmod>2017-03-20T00:31:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/03/16/soap-opera-celebrities-picked-to-co-chair-the-2017-national-black-theatre-festival/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/nbtf2017-8.jpg</image:loc><image:title>NBTF2017-8</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/nbtf2017-7.jpg</image:loc><image:title>NBTF2017-7</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/nbtf2017-6.jpg</image:loc><image:title>NBTF2017-6</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/nbtf2017-5.jpg</image:loc><image:title>NBTF2017-5</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/nbtf2017-4.jpg</image:loc><image:title>NBTF2017-4</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/nbtf2017-3.jpg</image:loc><image:title>NBTF2017-3</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/nbtf2017-2.png</image:loc><image:title>NBTF2017-2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/nbtf2017.jpg</image:loc><image:title>NBTF2017</image:title></image:image><lastmod>2017-03-16T16:31:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/03/15/cherry-lanes-mentor-project-2017-production-esais-table-makes-casting-announcement/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/img_1072.jpg</image:loc><image:title>IMG_1072</image:title><image:caption>Hampton Fluker</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/eden-marryshow.jpg</image:loc><image:title>Eden-Marryshow</image:title><image:caption>Eden Marryshow</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/brett-m-gray.jpg</image:loc><image:title>Brett-M-Gray</image:title><image:caption>Brett M. Gray</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/caleb_eberhardt.jpg</image:loc><image:title>Caleb_Eberhardt</image:title><image:caption>Caleb Eberhardt</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/njy-headshot-cropped.jpg</image:loc><image:title>njy-headshot-cropped</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/nathan-new.jpg</image:loc><image:title>Nathan-New</image:title></image:image><lastmod>2017-03-15T17:50:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/03/13/the-new-black-fest-announces-its-2017-schedule/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/thenewblackfest.jpg</image:loc><image:title>thenewblackfest</image:title><image:caption>A reading at a previous festival.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/the_new_black_fest_at_the_lark_1.jpg</image:loc><image:title>the_new_black_fest_at_the_lark_1</image:title><image:caption>The audience at a previous festival.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/newblackfestpanel.jpg</image:loc><image:title>newblackfestpanel</image:title><image:caption>A panel discussion at a previous festival.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/nbf-handsup.jpg</image:loc><image:title>nbf-handsup</image:title><image:caption>HANDS UP: 6 Playwrights⎪6 Testaments, presented by National Black Theatre &amp; The New Black Fest.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/keith-headshot.jpg</image:loc><image:title>keith-headshot</image:title><image:caption>Keith Josef Adkins, Artistic Director and Co-Founder of The New Black Fest</image:caption></image:image><lastmod>2017-03-13T17:25:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/03/10/hit-play-nina-simone-four-women-comes-to-arena-stage-in-washington-d-c/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/nina-simone-four-women2.jpg</image:loc><image:title>nina-simone-four-women2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/nbtlogo.gif</image:loc><image:title>NBTlogo</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/national_black_theatre_125th.jpg</image:loc><image:title>National_Black_Theatre_125th</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/natblacktheatrebldg1.jpg</image:loc><image:title>NatBlackTheatreBldg1</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/jonathan-mccrory_sade-lythcott_courtesy-of-national-black-theatre.jpg</image:loc><image:title>Jonathan-McCrory_Sade-Lythcott_Courtesy-of-National-Black-Theatre</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/black-superjumbo.jpg</image:loc><image:title>BLACK-superJumbo</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/regina-marie-williams_300.jpg</image:loc><image:title>regina-marie-williams_300</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/ninasimone.jpg</image:loc><image:title>NinaSimone</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/christina-ham2.jpg</image:loc><image:title>Christina Ham2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/christina-ham-with-nina.jpg</image:loc><image:title>Christina Ham with Nina</image:title></image:image><lastmod>2017-03-10T12:19:29+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/03/08/new-york-city-investing-2-million-to-increase-diversity-in-its-nonprofit-theaters/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/harlemstage2010.jpg</image:loc><image:title>SONY DSC</image:title><image:caption>SONY DSC</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/03/harlem-stage-12-16.jpg</image:loc><image:title>Harlem-Stage-12-16</image:title></image:image><lastmod>2017-03-08T16:54:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/28/an-interview-with-director-jennifer-l-nelson/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/jenniferlnelson.jpg</image:loc><image:title>jenniferlnelson</image:title></image:image><lastmod>2017-02-28T01:00:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/22/lafayette-theatre-remembered-for-as-an-important-venue-to-black-theater/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/lafayette-theatre-macbeth-1936-3.jpg</image:loc><image:title>lafayette-theatre-macbeth-1936-3</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/nlt.jpg</image:loc><image:title>nlt</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/treeofhopeplaque2.jpg</image:loc><image:title>treeofhopeplaque2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/lafayettetheater.jpg</image:loc><image:title>lafayettetheater</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/lafayette-theatre-macbeth-1936-1.jpg</image:loc><image:title>lafayette-theatre-macbeth-1936-1</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/lafayette-theatre-posters.jpg</image:loc><image:title>1,000 Views from 100 Years</image:title></image:image><lastmod>2017-02-22T15:22:23+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/21/chicagos-windy-city-playhouse-presents-sassy-and-satirical-bootycandy/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/bootyc5.jpg</image:loc><image:title>bootyc5</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/bootyc4.jpg</image:loc><image:title>bootyc4</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/bootyc3.jpg</image:loc><image:title>bootyc3</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/bootyc2.jpg</image:loc><image:title>bootyc2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/bootyc1.jpg</image:loc><image:title>bootyc1</image:title></image:image><lastmod>2017-02-20T01:44:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/20/director-jarvis-green-sets-stage-for-new-black-theater-festival/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/jag-4.jpg</image:loc><image:title>jag-4</image:title><image:caption>Photo Call for Clybourne Park at Northern Stage on Friday, November 14, 2014 in White River Junction, Vermont. &#13;&#13;Copyright 2014 Rob Strong</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/jag-3.jpg</image:loc><image:title>jag-3</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/jag-2.jpg</image:loc><image:title>jag-2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/jag-1.jpg</image:loc><image:title>jag-1</image:title></image:image><lastmod>2017-02-19T22:57:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/17/nicholas-brothers-celebrated-in-my-brothers-keeper-at-black-ensemble-theater/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/realnicholasbros-6.jpg</image:loc><image:title>realnicholasbros-6</image:title><image:caption>Early photo of the dancing duo.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/realnicholasbros-5.jpg</image:loc><image:title>realnicholasbros-5</image:title><image:caption>Promotional photo for the Nicholas Brothers.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/realnicholasbros-4.jpg</image:loc><image:title>realnicholasbros-4</image:title><image:caption>Early photo of the brother team.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/realnicholasbros-3.jpg</image:loc><image:title>realnicholasbros-3</image:title><image:caption>The Nicholas Brothers in the "Jumpin' Jive" number from Stormy Weather.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/realnicholasbros-2.jpg</image:loc><image:title>realnicholasbros-2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/realnicholasbros.jpg</image:loc><image:title>realnicholasbros</image:title><image:caption>The Nicholas Brothers with Dorothy Dandridge from the Soundie "Chatanooga Choo-Choo."</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/nicholasbros.jpg</image:loc><image:title>nicholasbros</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/bet-nicholasbros.jpg</image:loc><image:title>AGENDA-02XX17-13.JPG</image:title><image:caption>Rashawn Thompson as Fayard Nicholas, left, and Rueben Echoles, writer, choreographer and director, plays Harold Nicholas rehearse 'My Brother's Keeper: The Story of the Nicholas Brothers' at the Black Ensemble Theater in Chicago, Tuesday February 7, 2017.  | Kevin Tanaka/For the Sun-Times</image:caption></image:image><lastmod>2017-02-17T16:24:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/16/uc-san-diego-professor-nadine-george-grave-says-performance-is-not-benign/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/thomas-dartmouth-rice-1808-300x3001.jpg</image:loc><image:title>thomas-dartmouth-rice-1808-300x300</image:title><image:caption>Thomas Danforth "Daddy" Rice, the original blackface impersonator.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/o-judy-garland-facebook.jpg</image:loc><image:title>Garland In Blackface</image:title><image:caption>American actress and singer Judy Garland (1922 - 1969) in blackface as Judy Bellaire in 'Everybody Sing', 1938. (Photo by Silver Screen Collection/Getty Images)</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/minstrel-11.jpg</image:loc><image:title>Al Jolson</image:title><image:caption>American stage and film performer Al Jolson wearing blackface make-up in the first talkie film 'The Jazz Singer'.  (Photo by Hulton Archive/Getty Images)</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/minstrel_posterbillyvanware1.jpg</image:loc><image:title>minstrel_posterbillyvanware</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/fig-15-minstrel.jpg</image:loc><image:title>fig-15-minstrel</image:title><image:caption>Drawings of "Mr. Tambo," "Mr. Bones" and other blackface Minstrel performers.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/fig-14-minstrel.jpg</image:loc><image:title>fig-14-minstrel</image:title><image:caption>Poster for a Minstrel Show.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/fig-13-minstrel.jpg</image:loc><image:title>fig-13-minstrel</image:title><image:caption>Drawing of a "City Slicker" blackface character.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/fig-12-minstrel.jpg</image:loc><image:title>fig-12-minstrel</image:title><image:caption>Sheet music for a Minstrel show tune.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/fig-11-minstrel.jpg</image:loc><image:title>fig-11-minstrel</image:title><image:caption>Poster for a Minstrel show.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/fig-10-minstrel.jpg</image:loc><image:title>fig-10-minstrel</image:title><image:caption>Company logo of a Minstrel show.</image:caption></image:image><lastmod>2017-02-16T22:07:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/13/british-critic-claims-uk-theatre-is-actively-racist/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/fraserayres.jpg</image:loc><image:title>© Michael Wharley Photography 2014</image:title></image:image><lastmod>2017-02-15T19:59:50+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/14/forgotten-actors-fight-for-respect-featured-in-n/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/charles-gilpin.jpg</image:loc><image:title>charles-gilpin</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/charles-gilpin.jpeg</image:loc><image:title>charles-gilpin</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/147696648_1433988759.jpg</image:loc><image:title>147696648_1433988759</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/1589f9752a4a2162dbc6cb4a50771350.jpeg</image:loc><image:title>1,000 Views from 100 Years</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/stage-n-2.jpg</image:loc><image:title>stage-n-2</image:title></image:image><lastmod>2017-02-14T16:11:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/14/this-summer-3-black-theatres-celebrated-in-one-night/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/cedb6f_f6438044fd6d46a4bc252890e4ebfdcamv2_d_1650_2550_s_2.jpg</image:loc><image:title>cedb6f_f6438044fd6d46a4bc252890e4ebfdcamv2_d_1650_2550_s_2</image:title></image:image><lastmod>2017-02-14T20:36:06+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/13/hobo-king-gets-its-world-premiere-in-chicago/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/mv5bmtc1nje2nzc3of5bml5banbnxkftztgwoti2njc3nze-_v1_uy1200_cr7006301200_al_.jpg</image:loc><image:title>mv5bmtc1nje2nzc3of5bml5banbnxkftztgwoti2njc3nze-_v1_uy1200_cr7006301200_al_</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/hobokingsbase.jpg</image:loc><image:title>hobokingsbase</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/hobo-king-3.jpeg</image:loc><image:title>hobo-king-3</image:title><image:caption>Velma Austin plays Freda and Lyle Miller plays Preacher Man (Photo: Sam Roberson)</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/hobo-king-2.jpeg</image:loc><image:title>hobo-king-2</image:title><image:caption>Edgar Sanchez plays Slim in Javon Johnson’s play “Hobo King,” now in its world premiere. (Photo: Sam Roberson)</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/hobo-king-1.jpeg</image:loc><image:title>hobo-king-1</image:title><image:caption>LaMarr J. Kidd (left) plays DoodleBug and Kyle Smith plays Lazy Boy in Javon Johnson's "Hobo King," a world premiere by Congo Square Theatre. (Photo: Sam Roberson)</image:caption></image:image><lastmod>2017-02-13T05:08:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/12/history-center-exhibit-recognizes-penumbra-theatre-during-its-40th-anniversary-season/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/penumbra-40-exhibit.png</image:loc><image:title>penumbra-40-exhibit</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/02/loubellamy.jpg</image:loc><image:title>loubellamy</image:title></image:image><lastmod>2017-02-11T15:09:02+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/11/nambi-e-kelley-new-adaptation-of-native-son-gets-california-premiere/</loc><lastmod>2017-02-11T14:56:50+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/02/01/stars-of-fences-win-sag-best-actor-and-best-supporting-actress-awards/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/01/sag-awards-2017-full-movie-and-tv-winners-list_knkb.jpg</image:loc><image:title>sag-awards-2017-full-movie-and-tv-winners-list_knkb</image:title><image:caption>Fences (2016) Viola Davis and Denzel Washington</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/01/mykelti-williamson-sag-2017.jpg</image:loc><image:title>mykelti-williamson-sag-2017</image:title><image:caption>Mykelti Williamson walking the red carpet at the 23rd Annual SAG Awards</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/01/fences-paramount-2.jpg</image:loc><image:title>fences-paramount-2</image:title><image:caption>Denzel Washington behind the camera.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/01/fences-2.jpg</image:loc><image:title>fences-2</image:title><image:caption>Fences (2016) Jovan Adepo as Cory and Denzel Washington as Troy</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/01/denzel-fences-sag-2017.jpg</image:loc><image:title>denzel-fences-sag-2017</image:title><image:caption>Denzel Washington accepting the SAG Best Actor Award.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/01/screen-actors-guild-awards01.jpg</image:loc><image:title>screen-actors-guild-awards01</image:title><image:caption>Viola Davis receiving the award for Outstanding Performance by a Female Actor in a Supporting Role</image:caption></image:image><lastmod>2017-02-01T05:38:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/01/13/august-wilson-the-meaning-of-his-work-today/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/01/hc-august-wilson-jpg-20140207.jpg</image:loc><image:title>hc-august-wilson-jpg-20140207</image:title><image:caption>August Wilson, playwright and screenwriter</image:caption></image:image><lastmod>2017-01-13T04:06:38+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/01/13/motown-wins-big-at-naacp-theatre-awards/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/12/26662163475_506c380927_b.jpg</image:loc><image:title>26662163475_506c380927_b</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/12/08918_show_landscape_large_03.jpg</image:loc><image:title>08918_show_landscape_large_03</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/12/15motown-articlelarge.jpg</image:loc><image:title>15motown-articlelarge</image:title></image:image><lastmod>2017-01-13T03:55:52+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2017/01/13/viola-davis-on-her-role-in-fences/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/01/fen-03318r.jpg</image:loc><image:title>FENCES</image:title><image:caption>Fences (2016)  Russell Hornsby as Lyons, Viola Davis as Rose Maxson, Denzel Washington as Troy Maxson and Stephen McKinley Henderson as Jim Bono</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2017/01/542177_1280x720.jpg</image:loc><image:title>542177_1280x720</image:title></image:image><lastmod>2017-01-13T03:52:21+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/12/07/moonlight-playwright-to-lead-yales-playwriting-department/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/12/theater_03302016_dansky_headofpasses_joan_marcus.jpg</image:loc><image:title>theater_03302016_dansky_headofpasses_joan_marcus</image:title><image:caption>Phylicia Rashad in HEAD OF PASSES</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/12/org_img_1410997202_l.jpg</image:loc><image:title>org_img_1410997202_l</image:title><image:caption>CHOIR BOY</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/12/mtc-226-3488915496.jpg</image:loc><image:title>mtc-226-3488915496</image:title><image:caption>IN THE RED AND BROWN WATER</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/12/289-2.jpg</image:loc><image:title>289-2</image:title><image:caption>THE BROTHERS SIZE</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/12/b600486e-41d0-11e3-b064-00144feabdc0.jpeg</image:loc><image:title>b600486e-41d0-11e3-b064-00144feabdc0</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/12/tarell-alvin-mccraney-young-girls-program-compressed.jpg</image:loc><image:title>tarell-alvin-mccraney-young-girls-program-compressed</image:title></image:image><lastmod>2016-12-07T18:56:19+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/12/01/the-rise-in-black-theatrein-the-uk/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/12/boy-with-beer-at-the-kings-head-theatre-enyi-okoronkwo-donovan-and-chin-nyenwe-karl-photo-by-theo-chadha-3-600x350.jpg</image:loc><image:title>boy-with-beer-at-the-kings-head-theatre-enyi-okoronkwo-donovan-and-chin-nyenwe-karl-photo-by-theo-chadha-3-600x350</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/12/hamlet-main.jpg</image:loc><image:title>hamlet-main</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/peter_bazalgette_078-credit-steven-peskett.jpg</image:loc><image:title>Peter Bazalgette photographed at his home in Notting Hill, London</image:title><image:caption>Peter Bazalgette photographed at his home in Notting Hill, London</image:caption></image:image><lastmod>2016-12-02T11:49:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/29/48-hours-in-el-bronx/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/h9_poster_bronx_2016_final.jpg</image:loc><image:title>h9_poster_bronx_2016_final</image:title></image:image><lastmod>2016-11-29T14:38:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/03/black-rep-celebrates-40-years-of-great-art/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/websitedreamgirlsflyer-1nsro11.png</image:loc><image:title>websitedreamgirlsflyer-1nsro11</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/client_id_46382_logo_1453602117-2696.jpg</image:loc><image:title>client_id_46382_logo_1453602117-2696</image:title></image:image><lastmod>2016-11-25T15:48:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/23/broadway-star-audra-mcdonald-cited-as-cause-for-shuffle-along-closure/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/shuffle-along-211f34385d8f53c8.jpg</image:loc><image:title>shuffle-along-211f34385d8f53c8</image:title></image:image><lastmod>2016-11-25T15:25:37+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/15/sarasotas-westcoast-black-theatre-troupe-kicks-off-capital-campaign/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/wbtt1.jpg</image:loc><image:title>wbtt1</image:title><image:caption>Westcoast Black Theatre Troupe logo</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/wbtt-jukebox.jpg</image:loc><image:title>wbtt-jukebox</image:title><image:caption>WBTT's production of Jukebox</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/wbtt-maraineys.jpg</image:loc><image:title>wbtt-maraineys</image:title><image:caption>WBTT's production of Ma Rainey's Black Bottom</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/wbtt-natejacobs.jpg</image:loc><image:title>wbtt-natejacobs</image:title><image:caption>Artistic Director Nate Jacobs</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/wbtt-bubblingbrownsugar.jpg</image:loc><image:title>wbtt-bubblingbrownsugar</image:title><image:caption>WBTT's production of Bubbling Brown Sugar</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/wbtt3.jpg</image:loc><image:title>wbtt3</image:title><image:caption>The state of the building WBTT purchased in 2013 for $450,000 prior to the renovations. Today, it houses two performance spaces.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/wbtt2.jpg</image:loc><image:title>wbtt2</image:title><image:caption>The WBTT complex in 2013 prior to renovation.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/wbtt4.jpg</image:loc><image:title>wbtt4</image:title></image:image><lastmod>2016-11-25T15:21:06+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/23/fighting-to-end-racial-inequity-in-arts-funding/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/angelique-power-jpgmaxw600q100cb20161119114436cci_ts20161119114432.jpeg</image:loc><image:title>angelique-power-jpgmaxw600q100cb20161119114436cci_ts20161119114432</image:title></image:image><lastmod>2016-11-25T15:19:19+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/05/btw-invites-emerging-artists-to-apply-for-grants-and-awards/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/montreal-que-september-21-2015-quincy-armorer-as-mic.jpeg</image:loc><image:title>0926 theatre adventures 1</image:title><image:caption>MONTREAL, QUE.: SEPTEMBER 21, 2015 -- Quincy Armorer (as Michael) and Lucinda Davis (as Rainey), both facing camera, in a scene from The Adventures of a Black Girl in Search of God at the Centaur Theatre in  Montreal Tuesday, September 22, 2015. The play, written and directed by Djanet Sears, will run until October 18. (John Kenney / MONTREAL GAZETTE)</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/image.jpg</image:loc><image:title>image</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/harlem-duet-black-theatre-workshop-309-2-520x780.jpg</image:loc><image:title>harlem-duet-black-theatre-workshop-309-2-520x780</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/btw141020web-1231-e1416866456297.jpg</image:loc><image:title>btw141020web-1231-e1416866456297</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/btw_salcapone_run_12061.jpg</image:loc><image:title>btw_salcapone_run_1206</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/btw_salcapone_run_1206.jpg</image:loc><image:title>btw_salcapone_run_1206</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/black_theatre_workshop_logo.jpg</image:loc><image:title>black_theatre_workshop_logo</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/black-theatre-workshop-slider.jpg</image:loc><image:title>black-theatre-workshop-slider</image:title></image:image><lastmod>2016-11-25T15:09:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/25/theatre-royal-bath-presents-trouble-in-mind-during-its-north-american-season/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/trouble-third-large_transbfwwpigzgus2rp-sascchi2qqhs454yel18qbcj-im01.jpg</image:loc><image:title>trouble-third-large_transbfwwpigzgus2rp-sascchi2qqhs454yel18qbcj-im0</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/trouble-lead-large_transqvzuuqpflyliwib6ntmjwwsoiboewti25it9vvced-w.jpg</image:loc><image:title>trouble-lead-large_transqvzuuqpflyliwib6ntmjwwsoiboewti25it9vvced-w</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/trouble-duo-large_transijsdv-kovzved7evfzr15nciw17siblu1qmhvrglqwc.jpg</image:loc><image:title>trouble-duo-large_transijsdv-kovzved7evfzr15nciw17siblu1qmhvrglqwc</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/5238.jpg</image:loc><image:title>5238</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/trouble-third-large_transbfwwpigzgus2rp-sascchi2qqhs454yel18qbcj-im0.jpg</image:loc><image:title>trouble-third-large_transbfwwpigzgus2rp-sascchi2qqhs454yel18qbcj-im0</image:title></image:image><lastmod>2016-11-25T15:05:21+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/22/a-directors-thoughts-on-august-wilsons-jitney/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/august-wilsons-jitney-play-broadway-show-tickets-group-sales-092216.jpg</image:loc><image:title>august-wilsons-jitney-play-broadway-show-tickets-group-sales-092216</image:title></image:image><lastmod>2016-11-22T20:29:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/about/black-theatre-census/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/d0bdd0b0d181d0b5d0bbd0b5d0bdd0b8d0b5.jpg</image:loc><image:title>Black Theatre Census logo</image:title><image:caption>What are the characteristics defining  the field of Black Theatres in the Americas? What is their scope? What are the constraints? Black Theatre Census is designed to answer these questions.</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/11178214_10155479188845321_1473751238060805870_n.jpg</image:loc><image:title>11178214_10155479188845321_1473751238060805870_n</image:title></image:image><lastmod>2016-11-22T12:54:07+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://blacktheatrematters.org/programs/</loc><lastmod>2016-11-22T12:52:05+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://blacktheatrematters.org/2016/11/14/census-of-black-theatre-to-be-taken/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/pie-chart-icon.jpg</image:loc><image:title>pie-chart-icon</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/economic-growth.jpg</image:loc><image:title>Colorful business 3D graph</image:title><image:caption>Business 3D graph with arrow showing profits and gains</image:caption></image:image><lastmod>2016-11-22T00:29:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/06/reviews-are-in-for-harrison-david-riverss-sweet/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/paul_natalie.jpg</image:loc><image:title>paul_natalie</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/high_res_sweet_nbt_2016_photoby_peter_cooper_iampetercooper-3659-2.jpg</image:loc><image:title>high_res_sweet_nbt_2016_photoby_peter_cooper_iampetercooper-3659-2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/harrison-david-rivers.jpg</image:loc><image:title>harrison-david-rivers</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/451-0.jpg</image:loc><image:title>451-0</image:title></image:image><lastmod>2016-11-16T12:47:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/15/douglas-turner-ward-woodie-king-jr-added-to-sidewalk-of-stars/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/doug-n-woodie.jpg</image:loc><image:title>doug-n-woodie</image:title></image:image><lastmod>2016-11-15T17:35:21+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/04/classical-theatre-of-harlems-the-first-noel-to-start-holiday-tradition-at-the-apollo/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/fn_896x896.jpg</image:loc><image:title>fn_896x896</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/first-noel-website-banner1.jpg</image:loc><image:title>first-noel-website-banner1</image:title></image:image><lastmod>2016-11-12T01:37:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/05/every-28-hours-presents-80-one-minute-plays-by-90-writers/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/every-28-hours-map.jpg</image:loc><image:title>every-28-hours-map</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/every28hour_logo.png</image:loc><image:title>every28hour_logo</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/sm-btm-logo.jpg</image:loc><image:title>sm-btm-logo</image:title></image:image><lastmod>2016-11-12T01:37:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/11/teen-birth-rate-is-addressed-in-powerful-milk-like-sugar/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/tn-500_milklikesugar2.jpg</image:loc><image:title>tn-500_milklikesugar2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/tn-500_milklikesugar1.jpg</image:loc><image:title>tn-500_milklikesugar1</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/milk-like-sugar-2-by-teddy-wolff.jpg</image:loc><image:title>milk-like-sugar-2-by-teddy-wolff</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/file-2.jpg</image:loc><image:title>file-2</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/file.jpg</image:loc><image:title>file</image:title></image:image><lastmod>2016-11-12T01:36:20+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/06/washington-davis-become-oscar-frontrunners-for-fences/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/fences-movie-viola-davis-denzel-washington.jpg</image:loc><image:title>null</image:title><image:caption>Fences (2016) Viola Davis as Rose Maxson and Denzel Washington as Troy Maxson </image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/the-first-intense-trailer-for-denzel-washingtons-fences-could-land-the-film-a-spot-in-the-oscar-race-jpg.png</image:loc><image:title>the-first-intense-trailer-for-denzel-washingtons-fences-could-land-the-film-a-spot-in-the-oscar-race-jpg</image:title><image:caption>Fences (2016) Jovan Adepo as Cory Maxson and Denzel Washington as Troy Maxson</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/ht_viola_davis_fences_jef_160927_12x5_1600.jpg</image:loc><image:title>ht_viola_davis_fences_jef_160927_12x5_1600</image:title><image:caption>Fences (2016) Viola Davis as Rose Maxson</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/092816-centric-entertainment-fences-movie-trailer-still.jpg</image:loc><image:title>092816-centric-entertainment-fences-movie-trailer-still</image:title><image:caption>Fences (2016) Viola Davis as Rose Maxson and Denzel Washington as Troy Maxson </image:caption></image:image><lastmod>2016-11-10T15:52:07+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/09/i-too/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/debatespan.jpg</image:loc><image:title>debatespan</image:title></image:image><lastmod>2016-11-10T15:50:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/10/new-freedom-theatre-celebrates-the-return-of-holiday-treat-black-nativity/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/new-mgmt-998x550-6-of-25.jpg</image:loc><image:title>Under new management</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/new-freedom-theatre-logo.png</image:loc><image:title>The New Freedom Theatre Logo</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/freedom-theater-2-of-101-1600x1022.jpg</image:loc><image:title>The John E. Allen, Jr. Theatre</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/freedom-theater-1-of-101-1-1600x941.jpg</image:loc><image:title>The John E. Allen, Jr. Theatre</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/freedom_curtain.jpg</image:loc><image:title>Rajendra Ramoon Maharaj</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/black_nativity-event.jpg</image:loc><image:title>Black Nativity: An African Holiday Musical Play</image:title></image:image><lastmod>2016-11-10T15:27:25+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/08/award-winning-actorplaywright-tells-of-his-summer-in-sanctuary/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/summer_in_sanctuary-1.jpg</image:loc><image:title>Summer In Sanctuary</image:title></image:image><lastmod>2016-11-09T17:28:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/05/ebony-power-100-includes-black-playwright-actors/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/tumblr_static_cljhz4ud5pssgg4gogkgookgk.jpg</image:loc><image:title>Hamilton
Richard Rodgers Theatre</image:title><image:caption>Hamilton
Richard Rodgers Theatre

Cast
Lin-Manuel Miranda	Alexander Hamilton
Javier Muñoz	Alexander Hamilton
Alternate
Carleigh Bettiol	
Andrew Chappelle	
Ariana DeBose	
Alysha Deslorieux	
Daveed Diggs	Marquis De Lafayette
Thomas Jefferson
Renee Elise Goldsberry	Angelica Schuyler
Jonathan Groff	King George III
Sydney James Harcourt	
Neil Haskell	
Sasha Hutchings	
Christopher Jackson	George Washington
Thayne Jasperson	
Jasmine Cephas Jones	Peggy Schuyler
Maria Reynolds
Stephanie Klemons	
Emmy Raver-Lampman	
Morgan Marcell	
Leslie Odom, Jr.	Aaron Burr
Okieriete Onaodowan	Hercules Mulligan
James Madison
Anthony Ramos	John Laurens
Phillip Hamilton
Jon Rua	
Austin Smith	
Phillipa Soo	Eliza Hamilton
Seth Stewart	
Betsy Struxness	
Ephraim Sykes	
Voltaire Wade-Green	
Standby: Javier Muñoz (Alexander Hamilton)

Production Credits:
Thomas Kail (Director)
Andy Blankenbuehler (Choreographer)
David Korins (Scenic Design)
Paul Tazewell (Costume Design)
Howell Binkley (Lighting Design)


Other Credits:
Lyrics by: Lin-Manuel Miranda
Music by: Lin-Manuel Miranda
Book by Lin-Manuel Miranda</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/leslie-odom-jr-hamilton-2016-billboard-1548.jpg</image:loc><image:title>The 58th GRAMMY Awards - "Hamilton" GRAMMY Performance</image:title><image:caption>NEW YORK, NY - FEBRUARY 15:  Actor Leslie Odom, Jr. performs on stage during "Hamilton" GRAMMY performance for The 58th GRAMMY Awards at Richard Rodgers Theater on February 15, 2016 in New York City.  (Photo by Theo Wargo/WireImage)</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/31f1d5f800000578-3479908-the_iowa_born_zimbabwe_raised_star_kept_her_hair_natural_and_ski-m-90_1457333239867.jpg</image:loc><image:title>31f1d5f800000578-3479908-the_iowa_born_zimbabwe_raised_star_kept_her_hair_natural_and_ski-m-90_1457333239867</image:title></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/ebony100theplayers.jpg</image:loc><image:title>ebony100theplayers</image:title></image:image><lastmod>2016-11-07T19:47:36+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://blacktheatrematters.org/2016/11/07/five-opera-detailing-the-central-park-five-comes-to-njpac/</loc><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/original.jpg</image:loc><image:title>Daily News Front Page</image:title><image:caption>Daily News front page April 22,1989
Headline: Park marauders call it
"WILDING'... and it's street slang for going berserk"
7 teens held in rape-beating as victim clings to life
HE ESCAPED
One of the lucky ones who got away from the Central Park wolf pack- but just barely - was cabby Ronen Rubin. At 102d Street in Central Park, the thugs threatened to kill him. Counting his blessings later, he said, 'I have had people hit the doors... before. You know how it is, this is New York. But this looked like it was serious, even before I heard about the woman jogger.' (Photo By: /NY Daily News via Getty Images)</image:caption></image:image><image:image><image:loc>https://blacktheatrematters.org/wp-content/uploads/2016/11/o-central-park-five-facebook.jpg</image:loc><image:title>2012 NYC Doc Festival Closing Night Screening Of "The Central Park Five"</image:title><image:caption>NEW YORK, NY - NOVEMBER 15:  (L-R) Korey Wise, Antron McCray, Kevin Richardson, Raymond Santana, and Yusef Salaam attend the 2012 NYC Doc Festival Closing Night Screening Of "The Central Park Five" at SVA Theater on November 15, 2012 in New York City.  (Photo by D Dipasupil/Getty 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